On September 27 the Pet Shop Boys film of their 1991 tour Performance is released on DVD, including an audio commentary from Neil, Chris and Chris Heath and, for the first time, the full version of “Where the streets have no name (I can’t take my eyes off you)”.
On July 10 Neil celebrates his fiftieth birthday with a Warholian party billed as “A happening at the ‘Factory’.”
On July 26 the Rammstein single, “Mein Teil”, about the German cannibal who shared a meal of the sautéed penis of his willing victim before killing him, is released. It includes two mixes by the Pet Shop Boys.
The Pet Shop Boys 2004 summer tour of festivals begins at the Storsjoyran festival in Ostersund, Sweden, in a new production designed by Ian McNeil and accompanied onstage by guitarists Mark Refoy and Bic Hayes, and percussionist Dawne Adams. The last of ten dates was at the TIM Festival in Sao Paulo, Brazil, on November 7.
A character in Alan Bennett’s latest play, The History Boys, set in a school in the 1980s, which opens in London to widespread acclaim, quotes, with the Pet Shop Boys’ permission, from “It’s a sin”. They were flattered. “Thoroughly good play,” says Chris. “Highly recommended.”
On May 31 the Pet Shop Boys occasional Olde English label releases Pete Burns’ single, “Jack and Jill party”, written and produced by the Pet Shop Boys with additional lyrics by Dead Or Alive’s Pete Burns. The song had originally been written before PopArt’s release, using for its title a term Neil saw in a book of gay slang he’d been given: “a party attended by gays and lesbians”. When Neil bumped into Pete Burns at the club night Nag Nag Nag, he mentioned they had a song that might be suitable for him. Even though it was only available through the Pet Shop Bys’ website, it reached No 75 in the chart.
On March 29 “Flamboyant”, the other new song on PopArt, is released as a single, in a remixed version on which they worked with Narcotic Thrust’s Stuart Crichton. One of the single remixes is by The Scissor Sisters, commissioned in the earliest days of their growing celebrity after the Pet Shop Boys heard their version of Pink Floyd’s “Comfortably Numb” in a Hoxton nightclub. (Jake Shears later explains that he has tried to make this remix “like ‘Station To Station’ by David Bowie”.) Another mix is by DJ Hell who also does a new “West End girls” remix which he is allowed to semi-officially release himself as a one-sided twelve0inch single in Europe under the name Paid Show Boys.
On March 6, the Pet Shop Boys perform a one-off concert at Barfly, the tiny Camden venue in an upstairs room of a pub, as part of a series of concerts to raise money for Warchild, performing live in front of an audience as a duo for the first time in twenty years. The set begins with three songs they have never played before in concert: “Try it (I’m in love with a married man)”, “Tonight is forever” and “We’re the Pet Shop Boys”. (Also making their first appearances are “In private” and “Nervously”.)
On November 17 the Pet Shop Boys release a new single, “Miracles”. It is a song written with English dance producer Adam F and his associate Dan Fresh. “We had this idea of a kind of record to make, which was to get a hip hop producer but then to use electro-clash sounds with them,” says Neil. “It’s a love song. It’s about how, when you’re in love with someone, they have a kind of magic and they seem to transform everything: ‘Thunder is silent before you…roses bloom more to adore you’.” One of the extra tracks on the CD is called “We’re the Pet Shop Boys”, a song recently written and recorded by the New York artist My Robot Friend which the Pet Shop Boys like enough to cover.
On November 24, PopArt: The Hits is released. It includes all of the Pet Shop Boys hit singles over two CDs, including the just-released “Miracles” and one further new song, “Flamboyant”. They liked the title PopArt because, says Neil, “I think it explains what we are. We’re pop music…” “…with some art pretensions,” chips in Chris. “With art influences,” suggests Neil. On the sleeve, the word “Pop” takes its orange pattern from the “Can you forgive her?” pointy hats and the word “Art” its grey stripes from Chris’s “Suburbia” sunglasses. “So you have the Eighties and Nineties,” says Neil. Initial copies include a third CD of some of the Pet Shop Boys’ favourite dance remixes of their songs, including mixes by Moby, Sasha, Rollo, Shep Pettibone, Love To Infinity, Peter Rauhoffer and David Morales. A companion PopArt DVD is released on the same day.
Please debuts on the U.S. album chart, beginning a 31-week run during which it goes platinum and peaks at #7.
Chris and Neil begin writing a new song titled ‘After the Event.’
After having spent about three weeks in Berlin working on new music, they fly back to London to begin working with Stuart Price in preparation for their upcoming tour with Take That.
Still traveling in their Winnebago, Neil and Chris journey across the Sonoran Desert from Phoenix back to Indio, California, for their second appearance (which takes place this evening) at this year’s Coachella Music Festival. On this same day, a special vinyl single of ‘Fluorescent,’ featuring two newly recorded mixes of the song, goes on sale exclusively at select U.K. independent record shops for ‘Record Store Day.’
Rehearsals begin in London for the pandemic-delayed Dreamworld Greatest Hits Tour.