On February 28 the Pet Shop Boys begin a short, four-concert Russian tour, visiting Moscow and St. Petersburg, inspired by their visit to St. Petersburg to see Brian Eno the previous summer. In Moscow they perform twice in one night, once in a large arena then later in the middle of an over-crowded nightclub. The local media ask them whether they speak Russian, “We’re very good at saying ‘nyet’,” they explain.
On April 13, Twentieth Century Blues: The Songs of Noel Coward is released. It is an album of Noel Coward songs covered by contemporary musicians, co-compiled by Neil, who has been working on it for the past eighteen months. He has loved Noel Coward’s music since he first heard it in about 1970. “I think as a songwriter he’s slightly underrated,” Neil says, “simply because his plays are so famous, and people forget.” The Pet Shop Boys do a version of “Sail Away”, and amongst the other interpreters are Elton John, Paul McCartney, Suede, Robbie Williams and the Divine Comedy. “We tried to choose artists,” Neil explains, “who somehow seem to be in the Noel Coward tradition of wit, theatrically and style.” To promote the album, Neil appeared along on TFI Friday where he sang along with a busker playing Pet Shop Boys songs on an acoustic guitar.
At the request of their former American record company, the Pet Shop Boys agreed to the release of ‘Essential Pet Shop Boys’, a compilation of early Pet Shop Boys songs recorded between 1985 — 1990, including a number of rare remixes, as part of a series of limited edition CDs by other artists.
At the behest of director Gus Van Sant, the Pet Shop Boys wrote a new song, with Tom Stephan, at extremely short notice for the soundtrack of Van Sant’s remake of ‘Psycho’. It is called “Screaming”. “It’s about an obsessive fan, written from the obsessive fan’s point of view,” Neil says. “Or actually just by someone obsessed with someone who doesn’t love them.”
The Pet Shop Boys appear in concert in Zurich, Switzerland.
Chris and Neil bring their Fundamental Tour to Hamburg, Germany.
2008: Neil appears at the Brighton Festival for a ‘discover the man behind the music’ talk/interview session with writer and cultural commentator Michael Bracewell.
Neil attends a performance of the new ballet Cleopatra (scored by Claude-Michel Schönberg, best known for Les Miserables and Miss Saigon) at London’s Sadler’s Wells Theatre, where his and Chris’s own ballet The Most Incredible Thing had debuted two months before. On this same day, both Concrete and Battleship Potemkin are released in the U.S. several years after their release in many other countries.
Chris and Neil arrive in Asunción—their first visit to Paraguay—for their Electric Tour concert there the following evening. They hold a press conference shortly after their arrival and expect to do some sightseeing during their stay.
In the studio with Pete Gleadall, the Boys continue working on the Musik tracks. Afterward they meet with Hanif Kureishi and Nikolai Foster of Leicester Curve Theatre to discuss writing music for a new stage production of My Beautiful Laundrette.
The Boys bring their Dreamworld Tour show to Brussels.